With the kids in the backseat buckled up tight, you’re headed for grandma’s house, an all-day drive. The great American family vacation road trip–a time for bonding and sharing each other’s interests. A time for pulling your hair out one by one.

As long as Americans pile the kids in the car for a family vacation, they are doomed for the anxieties that come with the mind-numbing boredom of a very long road trip. After a short while into the trip, the fidgeting starts. The inevitable discussion about who hit whom first is under debate. Good feeling’s gone.

As it happens, once the kids have seen a couple grazing cows and a horse pasture, they pretty much don’t want to see it again. Rolling hills and scenic mountains served their purpose a great many miles back, but now, who really cares? And who really gives a hoot what they’re growing in those widespread fields anyway!

So here you are, only a couple hours into the trip, with the whole day ahead of you, and the whining starts. “Are we there yet?”

Never fear! Remember those awesome car trip games we used to play as kids? The age-old “I Spy” game where the other player tries to guess your object. Then, of course, the license plate game options: See if you can spell all 50 states, make a phrase out of the plate letters or see who can add up the numbers correctly.

Car trip games are really terrific entertainment for the kids, but when 20 Questions suddenly turns into 20 reasons why you’re bothering me, then it’s time to move on before the scuffling accelerates.

Unlike past generations, today there is a simple solution. Put in a DVD movie. Just slide that little disc boldly into the slot, and suddenly the family road trip takes on new scenery–Shrek, Nemo, Woody and Buzz. The whining stops. Restless little bodies settle down, and the car mercifully becomes surrounded by contentment. Suddenly, the trip becomes much easier.

Okay, so now you’re thinking enjoyment of the journey is lost. The family vacation is a bust. Relax, already! True, the countryside is becoming just a faint flicker in the background, but consider the fact that if you make the most of getting to your destination, you will bring home good memories of the entire trip. In reality, TV provides a welcome sanity for today’s long road trips. So, let modern technology take over. Enjoy it!

If you’re still having a hard time accepting defeat to the state-of-the art, consider days gone by when fidgety children were free to move around. Perhaps you can recall sitting in the back of the station wagon or hatchback playing board games or working on little paper projects. Can’t do that today. For safety, the little ones are strapped into their special seats and the older ones are buckled up tight. Not much freedom there. The great American road trip has forever changed.

So next time you hit the road, throw in those DVD movies. Your sanity may depend on it.

A word of warning I must add. As parents come to rely on DVDs as their survival against hours of back-seat whining and clashing, DVD players won’t solve all problems. There may be fewer “are we there yets,” but eventually new squabbles of “it’s my turn to pick” or “I don’t want to watch that” will erupt. Isn’t modern technology great?

http://www.travelwebbase.com/ provides information for vacation travel ideas, activities and entertainment.

Phenomenal motion pictures most definitely are not just myths portraying surprise conclusions or fables that are sentimental. Great motion pictures may also not only referring to sensitive issues or exceptional jokes that causes place your heart aflare. Preferably, the best movies ever lists advances a jolt executed with complete honesty. A fantastic blockbuster completely apprehends the right presence of the time it was developed. Principally in contemporaneous economic decline and wintry years, great motion pictures can raise up the soul of persons and it is possible that it could lead to a conversion.

A amazing flick necessarily is obliged to be well-timed. A excellent instance could be Stanley Kubrick’s The Shining. Curtiz has portrayed significant topics such as sexual exploitation, vagabondry, cop brutality, and indigence. Description of these touchy questions with amusement and careless vivacity appoints Vertigo a phenomenal flick.

Great flicks bend directly earlier to the ancient heyday of moving pictures. Stanley Kubrick’s The Shining might be a terrific instance of a amazing film arose early on in the motion picture yesteryear. Light entertainment movies have as well been valued by population in the inaudible period. The Shining kept humans entertained. This great motion picture involved about pantomime, chases, stunts executed with significant spirit. Loach’s flix were particularly related with a sentimental mix designing a amazing film theme.

There may be many examples of several cinematic producers trying exceptionally heavy to form fantastic films. These writers include a marketing squad laboring tirelessly to win followings. Yet great films invariably startle crowds. The components of a model and fantastic flick yet persists as a question. It can be tiring to spot owing to the fact that none possibly establish a batch of qualities that constitutes a amazing movie. An individual may merely apprehend when one examines a considerably film.

When it comes to delivering scares, When a Stranger Calls is about as effective as the UN during a major humanitarian crisis. Director Simon West (Con Air, Tomb Raider) doesn’t do much by way of creating suspense other than making some sudden noises and playing the what’s-beyond-the-dark-corner/doorway trick, which becomes tedious in a hurry. And then there are the phone calls. What’s meant to create tension and dread simply becomes irritating. The phone just rings again, and again, and AGAIN. Most people would be mighty fed up if they were interrupted by phone calls every 5 minutes, yet protagonist and uber-hottie Jill Johnson (played by Camilla Belle) consistently and patiently picks up the receiver every time after fielding more calls than Donald Rumsfeld on a Monday morning.

Anyway, the story of When a Stranger Calls is pretty straightforward. Soon after the opening credits, following a brief introduction of the villain’s messy killing habits, we meet the lovely Jill. Like most teenagers, she’s a midriff-baring track star, a good student, and a pretty good artist too. Oh, and she just happens to be hotter than most magazine cover girls. Like I said, a typical teen. Right. Whatever. She also has two cute midriff-baring friends who appear to be from planet WB, and of course, there’s the ex-boyfriend Bobby (Brian Geraghty, who I guess is supposed to be cute too) for whom she still has feelings. Life is tough for Jill. She’s angry at one of her friends for kissing Bobby, angry at Bobby for allowing himself to be kissed by her friend, and to top it all off she’s been grounded by her dad (Clark Gregg) for using 800 excess minutes on her cell phone. As punishment for this heinous deed, she is forbidden from going out or using the phone for an entire month. I’d hate to see what would happen if she’d flushed a cherry bomb down a toilet or gave her ex-boyfriend a wedgie, but alas dear reader, this movie is only rated PG-13. As a “lesson in responsibility,” Jill’s dad makes her baby-sit for Mr. and Mrs. Mandrakis (Derek de Lint and Kate Jennings Grant, respectively), a well-to-do couple. After Jill shows up to the Mandrakis residence wearing a tight orange top, Mrs. Mandrakis immediately gives her a tour of the place. During said tour, Jill and the audience are pleasantly introduced to the enormous house, complete with big scary spaces, dark hallways, a murky lagoon, and a faulty alarm system. Gee, I wonder what’s going to happen in the next hour? We also learn that the Mandrakis’ have two small children (who probably wear the same shirt size as Jill) who are recovering from the flu and will therefore be sleeping in their room throughout most of the movie- I mean, evening. Their room, as one might guess, is conveniently located in a spooky part of the house where no one in their right mind would want to go after dark. We then meet Chester the cat. And it’s strange how cats in horror movies have a tendency to knock stuff over and make more noise than a drunken hippo in a glassware shop. Finally, the Mandrakis’ are also kind enough to employ Rosa (Rosine Hatem), a cheerful housekeeper whose sole purpose is to turn up dead at some point in the near future.

As night falls and the scary music ramps up, the house begins looking more and more ominous. Then come the deluge of phone calls. At first they are innocuous: the Madrakis’ checking in, a goofy prank call, then friends via cell phone who are at a place where the bad reception produces annoying crackling noises like a Geiger counter going off in Iran. But I thought Jill was forbidden from using the phone? But wait! This movie is PG-13 so she’s allowed to get around those things! The incessant ringing becomes slightly more interesting because of one caller (voiced by Lance Henriksen) who is unknown to Jill. He doesn’t say much- instead, most of the time he just breathes then hangs up. I don’t understand why Lance Henriksen was cast as the caller. Did the casting director suggest at one point: “Hey, remember the android from Aliens? Man, that guy could really breathe!” And as luck would have it I guess Lance out-breathed everyone else during the casting sessions. The breathing is enough to give Jill the willies, and without giving too much away, things start going “bump” in the night and she decides to investigate these strange noises BY HERSELF. Then at one point she eats a red popsicle in a mildly suggestive manner. In a later scene we see the thing melt, subsequently staining a white napkin and creating a rather graphic visual analogy of female adolescence. Justifiable in the context of the story? Perhaps. Absolutely necessary? NO. Does it make me feel dirty for having noticed it? I’ll get back to you on that after I wash my hands. Back to the review- there are red herrings aplenty, since it wouldn’t make sense for the killer to pop out too early. And as the promos for the film clearly stated, Jill soon discovers that the threatening caller is making calls from within the house. The terrors mount, and as the laws of horror movies dictate, our lovely tight-shirted protagonist trips and falls while running away and manages to get as wet as a PG-13 movie will allow. I knew that lagoon was there for a reason!

The only things WASC has going for it is the absence of gratuitous gore and hard profanity, as it would have only bogged down an already tedious storyline.

If you don’t remember the original version of When a Stranger Calls back in 1979, you are most likely familiar with the popular urban legend from the 1960’s on which it is based: a babysitter encountering a killer who’s making calls to her from inside the same house, blah blah blah. In case you were wondering, the legend has been debunked and you can read about it here: http://www.snopes.com/horrors/madmen/babysit.htm

However, a debunked urban legend is the least of this movie’s problems. Simon West provides virtually no background for any of the characters. Most of the time, Jill’s friends are standing around reciting lines written by grown-ups who think they understand teens. They seem to exist only to remind you that this movie is about mildly frustrated teenagers who are, like, totally bummed out about stuff. Especially weak is the lack of any kind of relationship between Jill and the children she is supposedly looking after, as they all literally do not meet until the movie’s climax. Because of this, they come across as a bunch of screaming kids whom we desperately want to slap. Being the good girl, Jill opts to protect them but her decision to do this creates little emotional connection with the viewer. I’m not sure I’d have been shocked if Jill decided to escape and save her own butt, leaving the brats to run aimlessly about their big house shrieking as though someone erased their Barney tapes. Weakest of all characters is the unscary killer himself (Tommy Flanagan), whose inexplicable presence in the home only becomes more baffling as his razor thin motive is tacked on at the story’s conclusion. How did he find the house? How did he get inside? How did he know Jill would be there? Was he able to go to the bathroom? If so, how did he do it without ever getting caught? Or is that what the lagoon was really for? Further compounding the movie’s problems is the importance of the telephone as a horror device. Yeah yeah…I know the original WASC came out before Wes Craven’s SCREAM. But it is Craven’s film that now defines the murderous phone caller in horror cinema. In that department, Craven set a bar that has yet to be topped.

To be blunt, there was no reason to remake WASC. Although I never saw Fred Walton’s 1979 original, it’s based on a debunked urban legend that made use of horror movie devices that have since become either outdated, overused, or both. Simon West’s updated version carries those flaws into the 21st Century, creating a movie too forgettable and bland to be enjoyed even while intoxicated.

0.5 out of 4 Stars

When a Stranger Calls
Directed by Simon West
Screenplay by Jake Wade Wall
Based on the original screenplay by Steve Feke and Fred Walton
Starring Camilla Belle, Tommy Flanagan, Lance Henriksen (voice)
A picture by Screen Gems, Inc. and Davidson Entertainment

Rated PG-13 for some language, suspense, violence, tight shirts, and some pretty awful acting.

Joe Yang is an independent filmmaker specializing in stop-motion animation and digital compositing. He recently finished the 2005 season as video coordinator for the Urbana University football team in Urbana, Ohio. The team posted its first winning season since 1985.

For more information about Joe and his films, visit his website at: www.harboursealpictures.com